Every interpreter, believes Hélène Grimaud, "artiste étoile" in the "Eros" year, is primarily a medium that
must reflect the intentions of the composers. Which for them does not mean that there is no scope for
There would be individuality: “Of course you have to stay true to the musical text, respect it and be willing to get involved with it. But the more you do that, the more freedom you find», she explains the paradox and adds as justification: «Art has to transcend borders. If everything is possible, then it's not art for me."

The 1969 has been in for two decades
French born in Aix-en-Provence, whose virtuoso playing and artistic charisma spread all over the world
to be admired, to the fixed stars on
Classic heaven. Her
The secret of success also has to do with the fact that she is never satisfied with what she has achieved; again and again
she deals with the great works, above all of the German repertoire, on the tireless search for musical truth.

The constant confrontation with certain
Compositions, such as those with Schumann's Piano Concerto, are worthwhile: "The more you try to understand these pieces
penetrate, the more mysterious they become. That has
something very spiritual, it's one of the wonders of music."